Well, I really didn’t  anticipate that this would take me a month to do but it has.  However crow number two is now flying into the blue moon.   I stitched the crow off-cloth thinking it would be easier and, whilst the actual stitching of the crow was more manageable, the attaching took so long I think working on-cloth in future is the way I shall go.  All good learning!

Wild Mother Story Cloth 003

slightly different view:

Wild Mother Story Cloth 004

I think I have just about finished the pictorial aspects of this cloth, what remains to do are more stems and a lot more stitching/quilting of the cloth itself.    I am hoping I make my self-imposed deadline of the end of the year – I do appear to be on course.

Once we have a dry and non-windy day I shall take a picture of the full cloth as it is now.

have been added – they sit comfortably in her left hand, the shoots have begun to sprout, more may follow.

Fire in hand

Fire in hand 2

Seeds:

Fire and seeds 2

Fire and seeds:

Fire and seeds

In the meantime another crow is being created off-cloth – just as labour intensive but a little easier to manage.

I have had this double headed snake for many years.

snake 1

It started life as part of a large batik I made some fifteen years ago.  The cloth faded badly so I machine stitched the snake with the intention of either re-dying then stitching the original cloth or painting it.  It has been waiting for me to do so ever since.  A month or so ago I dug out my lovely snake, thinking she would fit onto this cloth perhaps but was very wary of cutting it from the original cloth -what if it all fell apart???  Last week, after finishing crow and before starting the seeds and a tree I think, I decided to just go for it.  I cut her from the cloth!

snakehead 2

snakehead3

My original thoughts were around trying to fit her onto the cloth intact – that was just not going to work …..  so….. after taking a very deep breath …. I cut her up so that I could place her appropriately onto this cloth.  I faffed about for ages, placing bits here and there, pinning, maneuvering, hanging it on the wall for days until I was satisfied.

I have now stitched the pieces in place and am more than happy with the result.

snakefive

snaketwo

I shall take a clearer picture of the whole cloth once the wind here dies down … could be a while.

Although the story is documented on the page entitled Morgaine’s journey, I felt it made sense to include the next and any following instalments within the body of the blog itself, as the story pertains to the cloth/s and vice versa.

Crossing the Threshold

I have been on this threshold for a long, long time, reluctant to step over, that age-old fear controlling, allowing myself to be distracted by all that is around me both within and without.

This stasis is now affecting my physical being, my every nerve ending feels to be on edge, jangling, the sensations sent throughout my body screaming for movement.

I breathe deeply, moving towards the entrance.  I stop, peering into the murky depths.  I can see very little.  Again the question in my mind – why, why am I so feared to enter.  I shake myself in order to discard the thoughts and, at long last, take that step over the threshold.  No crash of thunder, no lightning bolts – all is as still as it was on the other side.  Breathe, I must remember to breathe.  I take a few steps forward following the only path.  It is much lighter here than I anticipated yet there are no signs of torches or the like – seems there is a natural luminescence in or of the rock walls which is giving off a mustardy yellow glow, certainly light enough to see my way by.  There is also a scent pervading the air which is familiar, the essence of which evades me.  I stop to breathe it in.  Whatever its source the effect is calming.

I move on.   I have not gone far when the path which, up until this point, had been straight and single, suddenly divides into three.  From the approach this was not at all apparent.  No signpost, no markings of any kind to show which way to go.  I close my eyes in an effort to centre myself hoping, I suppose, that some kind of intuition would guide me.  Perhaps that, indeed, was what it was, but I have always favoured the number three so plumped for the third path.  For all I knew they all led to the same place and as I didn’t know where that was or what I was going to find there my mental machinations were somewhat redundant.   As I start up this path I smile to myself thinking of the Buddhist Third Way – so many things conspire in the subconscious on which we unwittingly base our decisions.

I come into an opening, the size of which is unclear as the light is so dim.  I can, however, make out a figure directly ahead of me.  I draw closer.  All was still and silent.  As I approach the face of an old woman becomes clear – she turns to look directly at me, stopping me in my tracks.  I feel no fear.  She moves her head only slightly but I understand that she wishes me to come closer.  I do so and begin to see her more clearly, her body now visible, her face before had appeared to be floating in the air.   As I look at her, her cloaked form is at once clear and indistinct – it is hard to describe.  Before her a most fabulous cauldron, both she and the cauldron seeming to be standing or emanating from a stream which flowed from a crevice in the wall.   It reminded me very much of the dream I had had of being at the stream of remembering, the Stream of Mnemosyne.

The cauldron bubbles as all good cauldrons do.  This is confusing.  How could it be that it is standing, or appears to be standing in water whilst clearly happily boiling away.  It is solid and substantial.  She, on the other hand, looks to be melting into or rather merging with the background, seemingly at once emerging from within the cauldron whilst also standing behind it coming from the stream.  My mind is all over the place trying to make sense of what I am seeing.  The scent, still present, is very strong here indeed originating from the steamy cauldron combining the aroma of freshly dug earth with the salty ozone of the sea – wonderful to the senses.
As I am observing, so too am I being observed.  I look up into that face, into those eyes which I could see are clearly capable of causing terror to one who gazed upon her if that were her desired intention.  Thankfully what I feel as I meet her gaze is a sense of warmth and safety being carried deep, deep within me.

Still she does not speak.  Nor do I – unusual for me when I am nervous or in a new situation – I usually compensate for those nerves with words, asking questions, generally babbling etc.  Here I feel no such need.

A sudden noise off to my left distracts me.  A large crow descends and lands on her upturned and welcoming hand.  She turns to look at crow as s/he caws to her.  She speaks, welcoming crow home.  They both turn and rest their eyes upon me – I could swear crow is smiling.  She speaks:

“Welcome.  Do you know who I am Morgaine?”

“You are Crone, the Wild Mother?” I hesitatingly respond.

She laughs.  Oh not the cackle we have been taught as children to associate with such women, but a wonderfully warm, buttery laugh – deep throated and sensual.

“You know me by various names, Baba Yaga, Hecate, Cailleach, Ma-at, and many more besides.   Do you know why you are here?”

“I was supposed to come and meet my dream master?” I mutter.

“And so you have” she responds, “Not quite what you were expecting I assume”.

It is more of a statement than a question and again that wonderfully rich laughter.

Crow cawed.   Actually crow spoke, either that or I now somehow understand the language of crows.  Crow asks:

“Do you know why you are here?”

“No – other than it was time for an end to my stasis” – the only thing I can think of to say.

Wild Mother asks:  “See these in my left hand?”

I have not been able to see her left hand too clearly, but as I look now it was as if a mist were lifting and there, nestled in the palm of her hand are what looked to be seeds and/or tiny flames.

“Watch”.

As I do so, the seeds begin to sprout – stems and leaves grow.

“These are the seeds of possibilities, of dreams, stories, tales and wishings which can be made real by your creative hand”

“You know the cauldron is one of regeneration and inspiration.  It is where fears are put to death allowing the energy that is released to be born again in a new and fruitful form.  If a person has the courage to come to the cauldron, then that person has the courage to continue their journey.  And so you have”.

“All that is required of you is that you sit by the fire burning within Hestia’s Hearth and let the creative flame that she placed within you at your birth, bear its fruit.  Nothing more”.

is worth ?   Well in this case about two to three weeks work with life etc intervening of course.

I took the sketch from my book and printed it onto cotton, adhered this to the cloth and begun to fill in with stitching.  For the next one, and I am more than sure there will be at least one other crow on this cloth, I shall work it off-cloth and then appliqué – it was very fiddly doing it the way I did as the stitching is so heavy and dense, think that’s why it has taken so long.   This beautify measures 9″ from the tip of her tail feathers to the tip of  her beak. Apologies again for the quality, or lack thereof,  of the pics – have finally realised it is not the camera but the operator with the shakes that creates  the blurs :) .

one foot crow ii

two foot crow

Crow 1

Crow ii

Crow head

Crow iii

Crow finished

WM August 16

and finally, blowing in the wind:

Wild Mother August 16

She has arms, well to be precise, She has sleeves, but I am sure that within those sleeves there are arms, oh and perhaps much, much more – I am yet to find out.

Wild Mother  July ii

Wild Mother July i

I have included the next two pictures, because, although they are the same as the above two, the way the sun has fallen across them makes it look, to me anyway, as though there is steam bubbling from the cauldron – rather a nice touch by nature I felt :)

Wild Mother July iii

Wild Mother July iv

This is turning out to be a truly slow “slow cloth” ….. However, the pure enjoyment and pleasure in the process continues.

The cauldron is now complete:

Cauldron complete May

Some closer views:

Cauldron stitch 3

Cauldron stitch 2

Cauldron top

Next, more work on the Wild Mother/Baba Yaga/Cailleach herself  :) .

at long last I can stitch again – feels good!  The cauldron is now stitched onto the cloth and I have begun the quilting/decorative stitching – I do love this process.

Again, apologies for the quality of the pictures:

cauldron attached

cauldron attached/ closer

cauldron attached/closer still

this one is the closest in colour to the real thing :o ).

At last I have had the time and inclination to get started on the cauldron.  I am working this off cloth and will attach it to the whole once all the surface stitching has been done

Step 1:

cauldron-1

The backing is calico.  I tie-dyed a small piece of cotton for the central yoni-shaped heart of the cauldron.

Step 2:

cauldron-2

Looking through my stash I came across this piece of cotton with all the lovely arches which I thought would work well for the rest of the cauldron, as per my sketch.  However, the colour is definitely not right, much too light and bright – I want earth colours – so:

Step 3:

cauldron-3

I mixed up some blue and some yellow procion dyes to get a sludgy green and painted the arches fabric to see what would happen.  It paled somewhat once dry but I am happy enough with it – once stitching has been done to the surface the look  and the colour will change again.

Step 4:

cauldron-4

This picture was taken outside and shows the colours a little better.  It is all tacked/basted and now ready for stitching.

There is movement again.

Having played with the image of the Wild Mother a little I am not going to give myself any further options as I know what will happen – nothing! I shall get lost in the land of indecision and I am in no mood for stasis.

To stir:

keridwens-cauldron-8th-march

or not :

incantation-8th-march

I am very grateful to the comments, opinions and suggestions I have received – they are helping a lot.  I have never bothered to show process before but am so pleased I have done and am doing so – the rewards are great.  The comments give me more food for thought – take me back to my original premise and allow me to explore options I may not have seen…..thank you.